谷雨经典古诗精选(九篇)
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第1篇：谷雨经典古诗范文
在成熟的道路上有许许多多的路人。你也别觉得失落。
酒是红星二锅头，关于单双号限行交通式的爱情，就问你有没有空。
我宁缺毋滥不是我高尚。我只是在等她的出现来打破我的生活。
（来源：文章屋网 ）
第2篇：谷雨经典古诗范文
一.触景生情与缘情写景
1、触景生情
“触景生情”又称“由景及情”，是先有景后有情。人物一开始心情比较平静，由于受到外界景物的刺激，激起感情，所以称为“触景生情”。杜甫的《登高》一诗就是典型的触景生情之作：
风急天高猿啸哀，
渚清沙白鸟飞回。
无边落木萧萧下，
不尽长江滚滚来。
万里悲秋常作客，
百年多病独登台。
艰难苦恨繁双鬓，
潦倒新停浊酒杯。
诗人登上高处，映入眼帘的是一派苍凉恢廓的秋景，这种苍凉的景色触动了他长年飘泊、老病孤愁的感情，于是艰难潦倒之苦、国难家愁俱涌心头。
2、缘情写景
“缘情写景”是情在景先，先有情后有景。景的设置总是以情为转移的，所谓“情哀则景哀，情乐则景乐”。如李白《哭晁卿衡》：“日本晁衡辞，征帆一片绕蓬壶。明月不归沉碧海，白云愁色满苍梧。”朋友晁衡的不幸遭遇，使诗人悲痛万分，在这种感情的支配下看景物，一切景物都染上了他的主观感彩，仿佛也在沉痛地哀悼晁衡的仙去。
二.移情于景与寓情于景
1、移情于景
移情于景即用拟人的手法，赋予景物以人的感情，从而使作者所要表达的感情更浓烈。如李白的《劳劳亭》一诗：“天下伤心处，劳劳送客亭。春风知别苦，不遣柳条青。”在这首诗中，作者把本来无知无情的春风写得有意有情，使之与相别之人同具惜别、伤别之心，从而化物为我，使它成了诗人的感情化身。
2、寓情于景
“寓情于景”又称“融情入景”，况周颐在《蕙风词话》中说：“盖写景与言情，非二事也。善言情者，但写景而情在其中。”如刘禹锡的《石头城》：“山围故国周遭在，潮打空城寂寞回。淮水东边旧时月，夜深还过女墙来。”这首诗句句写景，然而无一景不融合着诗人故国萧条、人生凄凉的深沉感伤，是典型的借景抒情之作。
三.以景衬情
“言情之词，必借景色映衬，乃具深婉流美之致。”我国古代诗人深谙此道，在古典诗词中，渲染景物以衬托所抒之情的例子很多。以景衬情可分为正衬和反衬两种。
1、正衬
以哀景写哀情
荆轲的《易水歌》：“风萧萧兮易水寒，壮士一去兮不复还。”诗句以天地愁惨之状，衬托壮士赴死如归的诀别之情。白居易《琵琶行》一开头“浔阳江头夜送客，枫叶荻花秋瑟瑟”句中萧瑟的秋景，是用来增添离别哀愁的。李商隐《无题》有“相见时难别亦难，东风无力百花残”之句，选择一个百花凋零的末春景色作为分离的背景，必然倍增离恨，所以“别亦难”。这些诗句从不同的方面，摄取了凄迷的风景，作为分别的衬托，更加重了别离的愁苦。
以乐景写乐情
李白《夜下征虏亭》：“船下广陵去，月明征虏亭。山花如绣颊，江火似流萤。”征虏亭畔的丛丛山花，在朦胧的月色下，绰约多姿，好像一群天真烂漫的少女；江上的渔火和水中倒映的万家灯火，星星点点，闪闪烁烁，像无数的萤火虫飞来飞去，这些景物衬托出了诗人出游的喜悦之情。
2、反衬
王夫之《姜斋诗话》说：“以乐景写哀，以哀景写乐，一倍增其哀乐。”可见，反衬手法用得好，效果更为强烈。
以乐景写哀情
杜甫的《绝句二首》（其二）：“江碧鸟逾白，山青花欲燃。今春看又过，何日是归年？”融融怡人的春光越发衬出诗人归心的殷切。郑谷《淮上与友人别》中“扬子江头杨柳春，杨花愁杀渡江人”之句，写扬子江边，春光正好，杨柳依依，杨花点点，但因为“君向潇湘我向秦”的离别，故景色虽好，却使人愁杀。作者迁情于景，景随情变了。美好的景物与人物内心的哀怨形成鲜明的对照，给人以强烈的感染。
以哀景写乐情
钱起的《暮春归故山草堂》：“谷口春残黄鸟稀，辛夷花尽杏花飞。始怜幽竹山窗下，不改清阴待我归。”一二两句渲染出春光逝去，了无踪迹的凋零空寂的气氛，反衬出三四句诗人对幽竹“不改清阴待我归”的欣喜之情。
第3篇：谷雨经典古诗范文
During the Southern and Northern Dynasties (420-589), there lived a beautiful, intelligent princess name Lechang in the State Chen. She and her husband Xu Deyan loved each other dearly. But before long their country was in danger of being invaded by the troops of the Sui Dynasty. Princess Lechang and Xu Deyan had a premonition that their county would be occupied by the invaders1 and they would have to leave the palace and go into exile2. During the chaos3 they might lose touch with each other. They broke a bronze mirror, a symbol of the unity4 of husband and wife into two parts and each of them kept a half. They aGREed that each would take their half of the mirror to the fair during the Lantern Festival, which is on the 15th day of the first Lunar month, in the hope that would meet again. When they were united the two halves would join together. Soon their premonition came true. During the chaos of war, the princess lost touch with her husband was taken to a powerful minister Yang Su's house and was made his mistress5.
At the Lantern Festival the next year, Xu Deyan took his half of the mirror to the fair. He hoped that he could meet his wife. It so happened that a servant was selling the other half of the bronze mirror. Xu Deyan recognized it immediately. He asked the servant about his wife. As he heard about her bitter experience, tears rolled down his cheeks. Xu Deyan wrote a poem on the half of the mirror kept by his wife: "You left me with your broken mirror Now the mirror is back but not you I can no longer see your reflection in the mirror Only the bright moon but not you" .
the servant brought back the inscribed6 half of the mirror to princess Lechang. For days, she could not help sobbing7 because she knew her husband was still alive and that he missed her but they could not meet forever.
the minister, Yang Su, found this out. He was also moved by their true love and realized it was impossible to get Lechang's love. So he sent for Xu Deyan and allowed the husband and wife to reunite.
From that story comes the idiom "A broken mirror joined together".
It is used to suggest the happy reunion of a separated couple.
破镜重圆
南北朝时期，陈国公主乐昌美丽且有才华。她与丈夫徐德言感情深厚。但当时，隋朝正入侵陈国，陈国即将被灭亡。乐昌公主和徐德言都预感到他们的国家将被入侵者占领，他们也会被迫离开王宫，背井离乡。战乱中，他们可能失去联系。于是，他们将一枚象征夫妻的铜镜一劈两半，夫妻二人各藏半边。相约在第二年正月十五元宵节那天，将各自的半片铜镜拿到集市去卖。期盼能重逢，并将两面镜子合而为一。不久他们的预感就成为了现实。战乱中，公主与丈夫失散了，并被送到隋朝一位很有权势的大臣杨素家中，成了他的小妾。在第二年的元宵节上，徐德言带着他的半边铜镜来到集市上，渴望能遇见他的妻子。碰巧，有一名仆人正在卖半面的铜镜。徐德言马上认出了这面镜子。他向那名仆人打听妻子的下落。当他得知妻子的痛苦遭遇后，他不禁泪流满面。他在妻子的那半面铜镜上题了首诗："镜与人俱去，镜归人不归。无复嫦娥影，空留明月辉"。
那个仆人把题了诗的铜镜带回来，交给了乐昌公主。一连几天，她都终日以泪洗面，因为她知道丈夫还活着而且想念她，但他们却无法再相见了。
第4篇：谷雨经典古诗范文
China has been divided into three kingdoms historically: Wei in the north, Shu in the southwest and Wu in the southeast.
Once Cao Cao from Wei led a 200，000 strong army down to the south to wipe out the kingdoms of Wu and Shu. Therefore, Wu and Shu united to defend his attack. Cao ordered his men to link up the boats by iron chains to form a bridge for the Cao's passing from the north bank of Yangtze River to the south bank. The General Commander of the allied1 army was Zhou Yu. He analyzed2 the situation carefully. Then he got a good idea. He decided3 to attack the enemy with fire. So he began to prepare for the coming battle. Suddenly he thought of the direction of wind. He needed the east wind to blow strongly in order to accomplish his scheme. However, the wind did not come for days. Thus Zhou Yu was worried about it. At that time, he got a note from Zhuge Liang, the military adviser4 of the State of Shu, which reads:
"To fight Cao Cao
Fire will help you win
Everything is ready
Except the east wind"
Quickly he turned to Zhuge Liang for help. Zhuge told him not to worry and there would be an east wind in a couple of days. Two days later, the east wind helped Zhou accomplish his scheme. At last, the allied army won the war.
Later, people use it to say "All is ready except what is crucial5".
万事俱备，只欠东风
历史上，中国曾被分为三大国：北边是魏国，西南是蜀国，东南是吴国。
第5篇：谷雨经典古诗范文
Wang Xi-zhi is one of the most famous calligraphers during the Eastern Jin Dynasty of China. When he was very young, he practiced his art every day and never stopped.
Later he absorbed the strong points of all the other schools of calligraphy1, and developed his own unique style of writing. Because of his achievements, he has been honored as one of China's sages2 of calligraphy.One time, Wang Xi-zhi sketched3 in wood for an engraver4 to cut. Then the engraver found the ink had penetrated5 one centimeter into the wood.
"Ru Mu San Fen6" is got from this story, which means the calligraphy is penetrating7.
Now it is often used to describe expressing sharp ideas or profound views.
入木三分
王羲之是中国东晋时代一个很有名的书法家，他从小就刻苦练字，从不间断，以后又吸取了各个不同书法派的优点，形成他自己独特的个性。因为他在书法上的成就，人们都尊称他为中国书法界的“圣人”。
第6篇：谷雨经典古诗范文
A man of the state of Zheng wanted to buy a pair of shoes. He measured his foot and put the measurement1 on a chair. When he set out for the market he forgot to bring it along. It was after he had found the pair he wanted that this occurred2 to him.
I forgot the measurement, said he.
He went home to get it but when he returned the market had broken up and he did not get his shoes after all.
Why didn't you try on the shoes with your feet?
He was asked.
I 'd rather trust the measurement than trust myself. (《Hanfeizi》)
郑人买履
从前，郑国有个人想买双鞋。他量好了自己脚的尺码，把它放在了椅子上。可当他赶往市集时，却忘了带量好的尺码。他要买鞋时，才想了起来。
他说："我忘带尺码了。"
他回家去取量好的尺码。 等他赶回来时，市集已经关了，他还是没能买到鞋。
第7篇：谷雨经典古诗范文
未觉池塘春草梦，阶前梧叶已秋声。
塞下秋来风景异，衡阳雁去无留意。
浔阳江头夜送客，枫叶荻花秋瑟瑟。
第8篇：谷雨经典古诗范文
一、小树林和火
选择朋友应该谨慎。凡是用友谊来掩饰私利的人，他只会给你设下陷阶。为了使人们更懂得这个道理，我讲一则寓言给你听听。
冬天，一点星火在小树林边微微地燃烧着。很显然，这点儿火苗已经被过路人忘了，它渐渐地微弱下来。旁边没有新的柴薪，火苗快要烧不成了，它看见自己快要完了，就对小树林说道：
“请问，亲爱的小树林！命运之神怎么对你这样残酷哇，你身上已经一叶不留，光着身子不会冻死吗？”
“因为我完全埋在雪里，冬天我不能透青发绿，也不能开花。”小树林回答火说。
“小事情，”火对小树林继续说，“只要你跟我交上朋友，我会帮助你的。我是太阳的弟弟，在冬天，我的神通并不小于它呀，你到暖房里去问问看，我火是怎样的。冬天周围盖满白雪，外面刮着暴风雪，暖房里照样一片青翠，开着花儿，大家老是在感谢着我。”
“虽说，自吹自擂是不适宜的，况且我向来就不喜欢夸口吹大牛，可对于太阳，我的力量决不会小于它，尽管它在这儿傲慢地发着光，可是等到下山，它对雪还是一无损害。但是你瞧，雪只要一靠近我，它马上就会融化，所以如果你希望在冬天，也像在春天、夏天一样透青发绿，那末，请你给我一块小小的地方！”
事情就这样谈妥了，星星的火苗延伸到小树林，就成了团火，这团火立刻蔓延开来，迅速蹿上大小桠枝，一团团乌黑的浓烟冲上云霄，猛烈的火一下把小树林团团围住，最后把小树林烧个精光。从前过路人歇凉的地方，只剩下烧焦的树桩。这是没有什么奇怪的，树木怎么可以跟火交朋友呢？
二、狼落狗舍
狼在黑夜里来打劫羊棚，却落入了狗舍；狗舍立刻像白天一样地骚动起来；猎狗嗅到敌人老灰狼就在近旁，涌到狗舍门口，逼上前去迎战。
“喂，伙计们，有贼！有贼！”管狗的人喊道。院子的门关上了，立刻都上了门闩；这块地方顿时乱得像个地狱。这一个拿着硬木棍儿来了，那一个提着枪来了。
“拿火来，”他们嚷道。“拿火来！”于是有人跑去拿了火把。狼在角落里坐着，它的硬硬的灰色背脊躲在那儿正合适，它露出可怕的牙齿，竖起硬毛，瞪着眼睛，好像当场就能把大家吃掉似的。然而，跟猎狗们打交道，可得放聪明点儿，可不能来这么一手。总而言之，这是十分明白的，今儿个夜里可没有不花钱的羊肉好吃。狡猾的老狼觉得应该进行谈判，它油嘴滑舌地开口说道：
“我的朋友们，何必这样吵吵闹闹呢？我是你们的老朋友，你们的长久失掉联络的同胞兄弟！我是来签订和约的，你们何必这样气势汹汹呢？让我们大家把往事一笔勾销吧，我们来订个同盟，我不光是不再来惊动你们的羊群，而且情愿替羊群打抱不平，我们狼有的是信用，我发誓……”
“对不起，可没有那样便宜的事儿。”管理猎狗的头儿打断它的话，说道，“如果你是灰色的，我可是白发苍苍了。我老早有根有据地看透了狼的本性，我对付狼的办法已经屡试不爽：绝对不跟狼讲和，除非把它的皮撕掉！”
第9篇：谷雨经典古诗范文
一、两个画匠
两个画匠同到京城落户。彼得的手艺，马马虎虎，日子却过得很富足；他的同行冤家伊凡颇有技术，腰中却连一个戈比也无。从早到晚，彼得的画笔挥舞，或画男，或画女，忙得不亦乐乎。伊凡却生意清淡，一周也难得来一位主顾。两人的命运为何这般悬殊？只因为：彼得画的人人都漂亮，伊凡画的个个不走样。
二、天鹅灰鹅鸭子和鹤